Music & the Spoken Word: Charles Dickens and his Christmas carol

July 2024 · 3 minute read

Editor’s note: “The Spoken Word” is shared by Lloyd Newell each Sunday during the weekly Tabernacle Choir at Temple Square broadcast. This was recorded in London, England, Dickens House, on June 15, 2022, and was first broadcast on Sunday, Dec 11, 2022. It will be given on Sunday, Dec. 24, 2023. There will not be live performances of “Music & the Spoken Word” on Dec. 24, 2023, or Dec. 31, 2023, and a past performance will be streamed.

Here inside the Charles Dickens House in London, England, sits a desk that once belonged to the great novelist. It was here that Charles Dickens wrote many of the works that are now considered classics of English literature.

And yet despite great success early in his career, Dickens’s heart was heavy in October 1843. He had just returned to London from a trip to Manchester, where he had spoken at a charity and visited his sister’s family. Dickens felt compassion and concern for his sister’s son Henry, who was struggling with a disability. Dickens had also witnessed horrific poverty on the streets, remembered the poverty of his own childhood and feared the financial burdens that waited for him at home (see “Charles Dickens Wrote ‘A Christmas Carol’ in Only Six Weeks,” by Sarah Kettler, Biography, Dec. 15, 2020, biography.com).

With all of this in mind as he returned to London, Dickens put pen to paper and, in his own artistic way, called for reform.

In just six short weeks, “A Christmas Carol,” one of the most beloved and influential stories of all time, was born. In effect, Dickens’s Christmas story helped revive public sentiment for a holiday that was also suffering under the financial pressures of the time (see “How Did ‘A Christmas Carol’ Come to Be?” by Lucinda Hawksley, BBC, Dec. 22, 2017, bbc.com).

People received the book with enthusiasm and felt a renewed eagerness to celebrate Christmas after becoming acquainted with its unforgettable characters. Marley personified regret. Scrooge became an emblem of redemption. Tiny Tim, so reminiscent of Dickens’s own nephew, became a symbol of hope. Most important, Dickens’s ghostly tale reminded people to be more charitable, more compassionate, more Christlike at Christmas — and throughout the year.

Dickens’ words capture so well the Christmas spirit: “I have always thought of Christmas time,” he wrote, “… as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people … as if they really were fellow-passengers” (see “A Christmas Carol,” by Charles Dickens, published in 1845, page 8-9).

It seems so appropriate that a tale of redemption and compassion would become a Christmas classic. After all, the baby born in Bethlehem, the Savior of the world, the “author and finisher of our faith, … endured the cross” to give us new life — “to lift up the hands which hang down” (Hebrews 12:2, 12). Because of Him, all “fellow-passengers” in this world can find — and offer to others — hope and healing.

Tuning in …

The “Music & the Spoken Word” broadcast is available on KSL-TV, KSL Radio 1160AM/102.7FM, KSL.com, BYUtv, BYUradio, Dish and DirectTV, SiriusXM Radio (Ch. 143), the tabernaclechoir.org, youtube.com/TheTabernacleChoir and Amazon Alexa (must enable skill). The program is aired live on Sundays at 9:30 a.m. on many of these outlets. Look up broadcast information by state and city at musicandthespokenword.com/viewers-listeners/airing-schedules.

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